I leave it to you to let us know how this will shape our art and craft.
http://www.cns.nyu.edu/~nava/MyPubs/Hasson-etal_NeuroCinematics2008.pdf
Deep Lake Media had some good questions on this when they first posted it earlier last year, including:
- How does “persistence of vision” work where, in a movie projected from film the screen is actually flashing dark in between frames, but the perception from the viewer is uninterrupted motion?
- Is there a difference between the way the brain perceives progressive scan video (i.e. 24p) as opposed to interlaced video? A lot of people say progressive scan video is more “filmlike”; can instruments detect brain activity that would explain this perception?
- How does the brain perceive video compared with projected celluloid?
Read the rest of them here.
